Nurse Nancy

By Jane Scott
(pseud. Adeline McElfresh), ©1959

Special-duty Nurse Nancy Davies thought her case with Angela Crayton, the famous actress, would be a dream. She lived with the beautiful star in her summer home where Angela kept open house for all her Hollywoodand Broadway friends. But Nancysoon learned that these men and women had a code of easy morality which said, “live for today, forget tomorrow.” Beautiful, young Nurse Nancy faced the sternest test of her professional career—could she be true to her own standards as a nurse—and a woman—in this glittering world?

GRADE: C-

BEST QUOTES:
“She’s so sure she’s going to die on the table, I wouldn’t be surprised if she does.”

“Everyone knew that Lee Saltonsbie was counting the days until he would go into private practice and ‘get started on my first hundred thousand.’ ”

“Clay’s future in politics had nothing whatever to do with their growing apart. If they had, she thought. No, it was hercareer—her dedication to it—that was causing the trouble.”

“Angela was improving. Or seemed to be. Sometimes, with these mental things, you couldn’t tell.”

REVIEW:
Nurse Nancy Davies is one of those sad VNRN heroines engaged to a man who not only is unfortunately named Clay Randall but who is not the man she thought he was when they met in Maine last summer “on a glorious vacation of sunswept days and moon-drenched nights. They were a bronzed god and a laughing nymph alone in the enchantment of their love,” if you must know. Unfortunately, however, these deities were obliged to go back to work, and now she’s desperately trying to convince herself that her fiancé doesn’t have feet of Clay—and there’s only so much of this a reader can take before you’re ready to pummel Nurse Nancy right upside the head. “She didn’t hate Clay; she couldn’t do that. But did she love him? She had at first—of course she had! she told herself sternly. Surely that surge of happiness, the wonderful, exciting, different happiness, had been love! She wasn’t the type of girl to fall lightly in love and then out … and yet …”

See what I mean?

Clay, it turns out, is ambitious for a career in politics, and so Nancy must quit her job when they are married. “Why couldn’t he understand that the hospital and her work there were such an important part of her that without them she wouldn’t be the Nancy Davies he had fallen in love with? It didn’t matter that as Mrs. Clay Randall she wouldn’t have to work for financial reasons. She wanted to do more with her life than head committees and have lunch and play golf at the country club.” Why would anyone continue to entertain the idea of marrying this man through 100 pages, even when from page two “Clay’s kisses had become just kisses” and the man is clearly making her miserable—and would only make her more so if she actually went through with it? Have I mentioned that I find this plot device patronizing, idiotic, and lazy?

Anyway, the central plot is also somewhat patronizing, at least to faded theater star Angela Crayton, who once was the queen of Broadway but after three successive flops about a decade ago has holed herself up on the shores of Birch Lake, Indiana, and is showing depressive—bordering on suicidal—tendencies. Dr. Bartlett Howard, her physician, needs a nurse to pose as a secretary for Miss Crayton. “If Angela Crayton finds out that her doctor thinks she’s borderline mental the fat might be in the fire,” explains Dr. Paulson, the chief of surgery at Nancy’s hospital, when he urges her to take the position. It’s not evident that Nancy is the right person for the job; as Dr. Howard is filling her in on the details of the case, “Angela Crayton didn’t need a secretary or a nurse, Nancy thought. She needed a keeper.” Psychiatry, when viewed through the myopic lens of a 1950s-era VNRN, is horrifically stunted and frequently sexist. Angela “was being driven, something over which she had no control was lashing her into a frenzy of despondency,” we’re told—and Nancy’s next thought is, “Poor thing. Lonely, and getting old, hating the crow’s feet and wrinkles—” It’s a wonder all women don’t kill themselves at 45.

So the book is mostly a tennis match between Nancy’s distaste for her fiancé and her work as a typist and spy, noting every despondent look and midnight drive of Angela’s, and doing absolutely nothing about it. Eventually Dr. Howard strikes on the idea of having the local theater group stage the play that was Angela’s greatest triumph and asking her to reprise her starring “rôle”—and have a Hollywood director offer her the leading part in a movie. Just the thing to shake off the crow’s-feet blahs!

As Angela naturally improves under this thoughtful treatment, she eventually fires Nancy, telling her that she’s known all along that Nancy is really a nurse—her shorthand was terrible! Angela suggests that Nancy continue to stay on at her house, though, and take a job at the little hospital nearby, working for Dr. Howard. Now we have another trite device: A tornado whips through town, and Nancy is busy patching up victims—and breaking up with Clay, who shows up during the crisis to drag her by the hair back to his cave while she’s giving Mary Claudion another cooling bath and alcohol rub. Curiously, Clay is on his way out of town—empty-handed, of course—at 90 mph when he wraps his car around a tree, so now he’s back at the hospital, this time as a guest under Nancy’s care. Ordinarily this leads to some sort of epiphany or understanding between the couple, even if it’s just to agree they’re not right for each other and part as friends. But in this book, Clay is admitted, Nancypours him a glass of ice water, and then three pages later she’s dropping him off at his law office and he’s stomping angrily up the walk on his crutches.

Back in Birch Lake, where Nancy has decided to stay permanently, everything is neatly wrapped up. Guess what happens with Angela? Guess who kisses Nancynext? You probably won’t actually guess there’ll be yet another calamity to attend to, with Nancy fervently urging, “Oh, Bart, hurry!” or that the final page will include the death of a minor character for Nancy and her new beau to smooch over—one of the more unusual endings I’ve come across—but these small surprises give not pleasure, only bewilderment.

This is a pedestrian, automatic, stupid book. It’s not badly written, and its most irritating aspects—its views on psychiatry, and Nancy’s reluctance to give up a man she doesn’t like and a future she will despise—can in part be chalked up to the archaic attitudes of the times. But the book is lazy, and the heroine who cannot acknowledge the dichotomy between adherence to sexist attitudes and the complete abandonment of logic and reason that these positions require is not worthy of our time. No one—especially not nurses, who are by definition strong, independent, smart, and capable—should be a willing victim. While I’ve certainly read nurse novels that are far worse than Nurse Nancy, I find after a couple hundred VNRNs under my belt I am becoming increasingly intolerant of stupid heroines, and so I cannot suggest that you stop and visit with Nurse Nancy.

Doctor Jane

Book 2 of 6
By Adeline McElfresh, ©1955

Lovely, dark-haired Jane Langford had but one dream—to become a doctor. Orphaned, penniless, she fought her way through her internship in a big, tough, city hospital. A brilliant career lay before her. But tall, handsome Lance Hart—ambitious and socially prominent young lawyer—wanted Jane to renounce her dream, to belong to him alone. This is the story of a beautiful young woman forced to choose between a life of luxury and the stern rewards of her dedicated profession—of her daring quest for the truth which led her into a bitter battle against powerful and evil forces.
 
GRADE:B+
 
BEST QUOTES:
“That beautiful head of yours is as empty as the gourds I used to use for birds; nests when I was a kid. You could have a husband and a couple of kids—half a dozen, if you wanted them—but here you sit, waiting to go chasing off in an ambulance or to be called to Emergency.”
 
“Don’t go clinical on me, Dr. Langford. I don’t enjoy kissing a test tube.”
 
“I don’t see any royal carpet. Are you sure they’re expecting you?”
 
“I’m sick! Quick, someone, call me a beautiful doctor!”
 
REVIEW:
I have seldom been more disappointed by a VNRN than I was when I finished Dr. Jane, Interne, the debut novel in this series about Dr. Jane Langford. I am pleased to say that this follow-up novel does much better, and I have to admit that the cliffhanger is an effective way of propelling you on to the next installment in a series.
 
When we last left Jane, she had agreed to give up her most fervent dream of being a surgeon at City Hospital to join the staff of one of those posh and distasteful convalescent hospitals for rich neurotic patients. It’s smooth Lance Hart, the object of a schoolgirl-like crush, who has persuaded her to do so, as he had been unable to convince her to abandon medicine altogether, and this seems like the next-best he can do. She had also agreed to marry Lance, whom we know is completely wrong for her. As I said, it was quite an upsetting conclusion for our otherwise strong, dedicated, brilliant, and honorable heroine, and I remain upset that Jane tossed her career in surgery away without any apparent regret, particularly after the extreme dedication and hard work toward that goal we witnessed in Dr. Jane, Interne.
 
As this book begins, Jane is a year into her tenure at the convalescent hospital, and she is still not married to Lance. She’s not happy, with Lance or her career, but neither does she seem sure she wants to give either up. Furthermore, her emotional growth has been nonexistent, and she agrees with Lance that she would want the word obey included in her wedding vows—though she has gotten where she is today precisely because she has refused to obey, fighting the bromides of the medical establishment about what women should be. She decides to take the weakest form of action, a leave of absence, and goes back to the small town where she grew up poor and orphaned and miserable. Dr. Ed Johnson, the Old Doctor, begs her to temporarily step in for him so he can have the first vacation he’s had in decades—three months, the lucky guy. She agrees, and soon she’s making house calls and seeing patients—and Lance, who drops by from the city to sneer at the small town and make Jane swoon in giddy lovesickness that I should have become somewhat inoculated against after the first book, but no such luck: “Don’t let me go, Lance! her heart cried. Don’t ever let me go!” You see what I mean.
 
Soon, though, she’s entangled in a scandal, after the wife of the son of the owner of the town’s major enterprise, the box factory, runs over a small child in the street. Jane is the only eyewitness, and swears that the driver, Mrs. Lola Morton, never even swerved or braked as she sped through town. Lance turns up, now an attorney hired by Mr. Morton to hush up the incident and keep Lola out of jail, and begs Jane to drop the case. Though weak in the knees from Lance’s kisses, Jane clings with the barest of fingertips to her conviction and refuses to drop her accusations. Soon the town drunk turns up as a “witness,” clearly bribed to swear Lola did indeed try to avoid the child, and Jane’s patients, whose livelihoods depend on corrugated cardboard, stop showing up for their appointments. Jane is convinced that Lance is behind all this, and the pair stops seeing each other.
 
Next door, however, is Minister Bill Latham, a calm, dependable type whom Jane likes immediately. He is always supportive of her job, never objects when she has to cancel a dinner date, and even runs helpful errands for her. She’s slowly falling for him, but there’s the small matter of that photograph on his desk of a young woman signed, “With all my love …” God forbid she just ask the man about it.
 
Most of the book is about Jane’s work with the townspeople, and this works out well for us readers. Jane is quietly humorous, serious, and never foolish, outside of her relationship with Lance (though to her credit, her increasing distaste for him speaks of a similarly increasing maturity in terms of her love life). Her growing love for Bill feels neither sophomoric nor frivolous, the way her feeling for Lance does. Though it’s obvious from the word go how Jane’s decision to leave town for good when Dr. Ed returns from vacation is going to play out, the book overall is so gentle and pleasant that I didn’t mind a little simplicity of plot. So while the opening salvo of the Doctor Jane series had me a bit worried, with this next all is forgiven, and I look forward to Calling Dr. Jane—though if the series stretches on for four more books, somehow I expect that Bill is doomed.

Calling Dr. Jane

Book 3 of 6
By Adeline McElfresh, ©1957

She was in love with her future husband, and Doctor Jane Langford eagerly prepared to join him at his remote African medical mission station. But then Doctor Paul Hamlin arrived to take over Jane’s busy practice. And as they worked side by side, the darkly handsome young doctor made no secret of his growing desire for Jane, his determination to keep her for himself. As Jane’s warm but errant heart responded to Doctor Paul she was faced with the greatest challenge she had ever known … Against the background of the busy, hectic world of modern medicine is told this challenging story of a young, beautiful woman’s search for truth and honesty.

GRADE: A-

BEST QUOTES:
“Being short and dumpy may have its compensations but I don’t know what they are.”

“So long as there is one person in the world, there will be senselessness.”
 
“There ought to be a law against you.”
 
REVIEW:
Having spent very little time with Dr. Jane Langford and Bill Latham, her fiancé, in Doctor Jane, I had hoped we might get to see them together in Book 3 of the Doctor Jane series. But no—on page one, Bill has been in Africa doing missionary work for the past three months. Back in Halesville, Indiana, Dr. Paul Hamlin, a refugee from New York, has stepped onto the scene, and is supposed to take over the practice from Jane, oh, about now. But Jane just hasn’t yet bought that plane ticket. And now Bill is getting letters from Jane, and “something was there, between the lines.” Oh, no, Mr. Bill!
 
Jane starts off by protesting too much—and soon she’s up to her schoolgirl-crush usual, swooning over Paul. And then, before too long, Jane is kissing him and picking out a new house for them to live in after they’re married, the fickle wench. Meanwhile, there are strange goings-on: An unnamed doctor refused to see a woman with appendicitis because she was poor, and the woman nearly died … a strange, overly wired man barges into Jane’s office looking for Paul … later that same night, the local druggist is bashed on the head and killed, but all his money is still in the drawer … someone is prowling around outside Jane’s house at night, looking in the outbuildings …
 
For the most part, this book is incredibly delightful. The writing is amusing and interesting, and the little, sharp details that Adeline McElfresh tosses in almost off-handedly create a brilliantly realistic picture; at times I wondered if certain passages weren’t an actual diary of someone’s day rather than a fiction story, they felt so true. Most of the time we are out and about with Jane, through the various hospitals and homes and doctor’s offices, meeting a fairly substantial population of named patients and hospital staff. In some books, these hordes of characters can become overwhelming, but here, we get enough story about some patients that we easily remember them when they pop up again later, while others drop quietly away, serving as a quiet demonstration of Jane’s reach throughout the community and its importance to her.
 
The problem, as has been with the first two Dr. Jane books, is Jane’s utter lack of maturity when it comes to her love life. She falls like a ton of bricks for men we’ve barely met, and even after she’s engaged to Paul, we still don’t get to know him very well. Rather, what sticks is the quick observations of the things Paul doesn’t like, which also happen to be the things Jane loves: “Paul said they were medieval not to have an office nurse, as well as a secretary,” “Paul frankly admitted that he had no idea country doctors got out and around so early,” “he thinks we’re pretty small potatoes,” “no wonder Paul found Halesville dull sometimes.” These little droppings never bode well, and you won’t be surprised to learn that they weren’t wrong here, either.
 
The mystery of the book is not at all surprising when it eventually unfolds—which it does in two lightning-fast pages at the end, too fast to follow easily—and the red herrings that had been so convincing as they appeared are just as convincingly disposed of. Adeline McElfresh is a top-notch writer and a real joy when she is at the top of her game, as she is here. It’s just Jane’s lack of any sense whatsoever when it comes to a pretty face that misses the mark. I keep hoping that as Jane gains more experience with boys—she’s now had four beaux—she will wise up some, but so far, no such luck. Let’s hope that her next stop, Africa, proves she’s learned a trick or two.

Dr. Jane Comes Home

Book 5 of 6
By Adeline McElfresh, ©1959
 
Woman or doctor? When beautiful, raven-haired Dr. Jane Latham returned to her hometown after her brief, tragic marriage she planned to devote the rest of her life to her profession. She was Jane Latham, doctor, she told herself. She had ceased to be Jane Latham, woman. But when Dave Riley, internationally famous newspaperman, came into her life he had other ideas. He begged Jane to renounce her vows and join him in his own cosmopolitan, easy-going life of fun and travel. Lonely, confused, filled with the ardor of youth, Jane Latham’s effort to deny her woman’s needs now met its sternest test.
 
GRADE: B
 
REVIEW:
I’m not sure what book the person who wrote the back-cover blurb (above) read, but it wasn’t the one I did. Maybe all that is forthcoming in the next (and final) book of the series, Dr. Jane’s Choice. In Dr. Jane Comes Home, it seems to be two years since her husband Bill died—done in by a crocodile in Africa—and one since she returned home to Halesville, Indiana, to resume her general practice. Journalist Dave Riley, whom she met in Africa before she left, has come with her, ostensibly to write an article about her but staying on because he loves this small town that much. Oh, and Jane too, but he’s waiting to spill the beans on that little secret, out of respect for her mourning.
 
Basically this book follows Jane as she manages patients and disasters, sheds an occasional tear over poor dead Bill, and otherwise snoops on minor Halesville characters old and new. A cast of more than 50 named people populate this story, which can be a bit confusing, but otherwise it’s a gentle, meandering story. At the end of the book Dave is in a serious car accident, which of course brings Jane’s latent love for him to the fore with her usual sappy “Oh, Dave, Dave—” which she has sighed again and again for every man who has passed through her heart, much to my increasing exasperation. We’ll see what dilemmas this new relationship brings to her in the final book.
 
It’s a pleasant story, but it doesn’t have much to offer: No offerings for the Best Quotes section; no real growth in Jane’s character; no interesting dilemmas, career or personal, for her to work out. It’s just more of Jane. Which, again, is nice enough—she’s smart, competent, independent, and strong—but unless you’re already this deep into the series and feel compelled to see it through, this book doesn’t really have much to offer.

Dr. Jane’s Choice

Book 6 of 6
By Adeline McElfresh, ©1961
Cover illustration by John W. Scott
 
To hundreds of thousands of readers, Doctor Jane Langford (later briefly married to the Reverend Bill Latham) is the most beloved heroine in all medical romance literature. Sternly incorruptible, but often hesitant as she chooses what is right and what is desirable—a gifted surgeon and general practitioner, but a woman first and foremost—Doctor Jane strikes an answering chord in every reader’s heart, for Jane is more than a dedicated professional, she is a woman needing masculine strength and love. In this present novel, Jane is faced with the most important choice of her life—how she reaches that choice makes for one of Adeline McElfresh’s most engrossing novels.
 
GRADE: B+
 
BEST QUOTES:
“Don’t you talk her right arm off, Henry. She might need it in surgery in the morning.”
 
“She wanted to share his life, divide herself between being Mrs. Dave Riley and Dr. Jane Latham.”
 
REVIEW:
When we last left Dr. Jane Langford Latham, she was mourning her husband, Bill, killed in Africa by a crocodile, and I am not kidding. She thinks she’s falling for reporter Dave Riley, whom she first met in Africa and who followed her home to Halesville, Indiana, so as to write and wait for her to come around. But Jane isn’t sure, because she really, really loved Bill. So she takes a job at the nearby City Hospital—where she did her residency, by the way (see Dr. Jane, Interne)—as director of outpatient medicine.
 
In the course of her work, she discovers that a local woman who lives in the seedy part of town performs abortions, and goes on the warpath, declaring that she will “not stop until that woman is found, arrested, jailed.” Perhaps not coincidentally, a young pregnant woman from that same neighborhood is found drowned, and now the book turns into a mystery story. Whodunnit? Well, this local reporter, Charley Lewis, takes up the case, and the book is divided between following Jane and her patients, and Charley in his attempts to track down the girl’s killer.
 
I could go into more detail about the case and Jane’s success as a doctor despite her gender, but it’s not really important, and if you didn’t figure out what Jane’s Choice is going to be at the beginning of the last book, Dr.Jane Comes Home, then I won’t spoil it for you. The central question for the reviewer and the reader is, should you read these six books? The problem is that they are neither good enough to make the answer a clear yes, nor bad enough to make it an emphatic no. I always appreciate the quiet competence of the writing, which is occasionally humorous, and here we find a little inside joke: “If you two will excuse me, I’ve got Elizabeth Wesley’s new book. About doctors,” says the wife of Dr. Warren, her former attending in Dr. Jane, Interne. (Elizabeth Wesley is, of course, a pen name of Adeline McElfresh’s!)
 
The books are interesting, but they don’t have a lot of zest or camp to give them sparkle. I enjoyed Jane, but six books about her is a bit much, considering that the format or story of every book was essentially the same: All about Jane and her daily life, and then at the end, a big decision, usually more or less out of the blue, about some man, the “romance” being almost irrelevant to the rest of the book. The mystery that pervades the plot of this book is not a first for the Dr. Jane series—see Calling Dr. Jane—but it’s a bit of a distraction from what is supposed to be the central point, i.e. Jane. So if you don’t have a better book to reach for, go ahead and make the investment in Dr. Jane, but don’t expect her to leap off the page and dazzle you. She’s much too sedate for that.
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