Collecting Book

Nurse Nancy

By Jane Scott
(pseud. Adeline McElfresh), ©1959

Special-duty Nurse Nancy Davies thought her case with Angela Crayton, the famous actress, would be a dream. She lived with the beautiful star in her summer home where Angela kept open house for all her Hollywoodand Broadway friends. But Nancysoon learned that these men and women had a code of easy morality which said, “live for today, forget tomorrow.” Beautiful, young Nurse Nancy faced the sternest test of her professional career—could she be true to her own standards as a nurse—and a woman—in this glittering world?

GRADE: C-

BEST QUOTES:
“She’s so sure she’s going to die on the table, I wouldn’t be surprised if she does.”

“Everyone knew that Lee Saltonsbie was counting the days until he would go into private practice and ‘get started on my first hundred thousand.’ ”

“Clay’s future in politics had nothing whatever to do with their growing apart. If they had, she thought. No, it was hercareer—her dedication to it—that was causing the trouble.”

“Angela was improving. Or seemed to be. Sometimes, with these mental things, you couldn’t tell.”

REVIEW:
Nurse Nancy Davies is one of those sad VNRN heroines engaged to a man who not only is unfortunately named Clay Randall but who is not the man she thought he was when they met in Maine last summer “on a glorious vacation of sunswept days and moon-drenched nights. They were a bronzed god and a laughing nymph alone in the enchantment of their love,” if you must know. Unfortunately, however, these deities were obliged to go back to work, and now she’s desperately trying to convince herself that her fiancé doesn’t have feet of Clay—and there’s only so much of this a reader can take before you’re ready to pummel Nurse Nancy right upside the head. “She didn’t hate Clay; she couldn’t do that. But did she love him? She had at first—of course she had! she told herself sternly. Surely that surge of happiness, the wonderful, exciting, different happiness, had been love! She wasn’t the type of girl to fall lightly in love and then out … and yet …”

See what I mean?

Clay, it turns out, is ambitious for a career in politics, and so Nancy must quit her job when they are married. “Why couldn’t he understand that the hospital and her work there were such an important part of her that without them she wouldn’t be the Nancy Davies he had fallen in love with? It didn’t matter that as Mrs. Clay Randall she wouldn’t have to work for financial reasons. She wanted to do more with her life than head committees and have lunch and play golf at the country club.” Why would anyone continue to entertain the idea of marrying this man through 100 pages, even when from page two “Clay’s kisses had become just kisses” and the man is clearly making her miserable—and would only make her more so if she actually went through with it? Have I mentioned that I find this plot device patronizing, idiotic, and lazy?

Anyway, the central plot is also somewhat patronizing, at least to faded theater star Angela Crayton, who once was the queen of Broadway but after three successive flops about a decade ago has holed herself up on the shores of Birch Lake, Indiana, and is showing depressive—bordering on suicidal—tendencies. Dr. Bartlett Howard, her physician, needs a nurse to pose as a secretary for Miss Crayton. “If Angela Crayton finds out that her doctor thinks she’s borderline mental the fat might be in the fire,” explains Dr. Paulson, the chief of surgery at Nancy’s hospital, when he urges her to take the position. It’s not evident that Nancy is the right person for the job; as Dr. Howard is filling her in on the details of the case, “Angela Crayton didn’t need a secretary or a nurse, Nancy thought. She needed a keeper.” Psychiatry, when viewed through the myopic lens of a 1950s-era VNRN, is horrifically stunted and frequently sexist. Angela “was being driven, something over which she had no control was lashing her into a frenzy of despondency,” we’re told—and Nancy’s next thought is, “Poor thing. Lonely, and getting old, hating the crow’s feet and wrinkles—” It’s a wonder all women don’t kill themselves at 45.

So the book is mostly a tennis match between Nancy’s distaste for her fiancé and her work as a typist and spy, noting every despondent look and midnight drive of Angela’s, and doing absolutely nothing about it. Eventually Dr. Howard strikes on the idea of having the local theater group stage the play that was Angela’s greatest triumph and asking her to reprise her starring “rôle”—and have a Hollywood director offer her the leading part in a movie. Just the thing to shake off the crow’s-feet blahs!

As Angela naturally improves under this thoughtful treatment, she eventually fires Nancy, telling her that she’s known all along that Nancy is really a nurse—her shorthand was terrible! Angela suggests that Nancy continue to stay on at her house, though, and take a job at the little hospital nearby, working for Dr. Howard. Now we have another trite device: A tornado whips through town, and Nancy is busy patching up victims—and breaking up with Clay, who shows up during the crisis to drag her by the hair back to his cave while she’s giving Mary Claudion another cooling bath and alcohol rub. Curiously, Clay is on his way out of town—empty-handed, of course—at 90 mph when he wraps his car around a tree, so now he’s back at the hospital, this time as a guest under Nancy’s care. Ordinarily this leads to some sort of epiphany or understanding between the couple, even if it’s just to agree they’re not right for each other and part as friends. But in this book, Clay is admitted, Nancypours him a glass of ice water, and then three pages later she’s dropping him off at his law office and he’s stomping angrily up the walk on his crutches.

Back in Birch Lake, where Nancy has decided to stay permanently, everything is neatly wrapped up. Guess what happens with Angela? Guess who kisses Nancynext? You probably won’t actually guess there’ll be yet another calamity to attend to, with Nancy fervently urging, “Oh, Bart, hurry!” or that the final page will include the death of a minor character for Nancy and her new beau to smooch over—one of the more unusual endings I’ve come across—but these small surprises give not pleasure, only bewilderment.

This is a pedestrian, automatic, stupid book. It’s not badly written, and its most irritating aspects—its views on psychiatry, and Nancy’s reluctance to give up a man she doesn’t like and a future she will despise—can in part be chalked up to the archaic attitudes of the times. But the book is lazy, and the heroine who cannot acknowledge the dichotomy between adherence to sexist attitudes and the complete abandonment of logic and reason that these positions require is not worthy of our time. No one—especially not nurses, who are by definition strong, independent, smart, and capable—should be a willing victim. While I’ve certainly read nurse novels that are far worse than Nurse Nancy, I find after a couple hundred VNRNs under my belt I am becoming increasingly intolerant of stupid heroines, and so I cannot suggest that you stop and visit with Nurse Nancy.

Nurse in Acapulco

By Jane Converse

Mrs. Breckenridge’s maniacal possessiveness had turned her handsome son into a peevish playboy, her daughter into a shrill, contemptuous and cheating wife, her son-in0law into a drunken failure. When it seemed as though one of her captives might break away, Mrs. Breckenridge had another heart attack and threatened to change her will. In accepting the wealthy hypochondriac as a patient, special nurse Donna Walton had no way of knowing that she was to be used as bait in the old woman’s devious scheme to keep her son by her side … forever.

GRADE: C-

BEST QUOTES:

“They close the bullring and jai-alai court for the summer. The really chic parties don’t get off the ground before December. Prepare to perish, Miss Waldron.”

REVIEW:

We’ve been to Acapulco before, in Beauty Contest Nurse and the other Nurse in Acapulco. This trip is about as successful—which is to say, not very—as our last two expeditions, I’m sorry to say. Here, it’s Donna Walton who is stalking the moonlight beaches and feeling “deeply touched by the warm, trusting simplicity of these people, by their unsophisticated love.” Donna’s come to Mexico to care for an aging (but not old, she’s in her 50s) hypochondriac Grace Breckenridge, who keeps her children, Enid and the unfortunately named Buzzy, on a short leash that they dare not slip, lest she cut off the funding for their louche lives of luxury. Donna has only agreed to take this job because she’s come off a particularly demanding case, caring for a terminally ill cancer patient for the past seven months. For once, this dying patient is actually broke, and Donna received no pay for her final nine weeks of work when he ran out of money. So she needs a vacation, and she needs to replete her bank account; this job, which pays twice her normal salary, seems to fit both bills.

But at what cost? There’s the small matter of her conscience, soon smote when she’s called to help an actual injured patient, the grandchild of the hacienda’s gardener. When she delivers the boy to the local medico, Dr. Emilio Camargo, who has a garden full of impoverished patients waiting hours to be seen, he asks her, “You will come again, no? When you have nothing of greater importance to do than that which you are doing from day to day?” Her agenda thus far has been no more taxing than learning to surf, attending parties, and playing bridge, and she thinks, “I wish he’d had reason to respect me as a nurse, instead of looking at me as though I was a conscious parasite.”

Then a houseguest arrives, an old friend of Enid’s husband, Kenny. Dr. Stanley Sherwood, a psychiatrist practicing in New York, went to medical school with Kenny before Kenny married Enid and decided to switch careers and become a kept boy and gin aficionado, though I’m sorry to report that he appears to prefer his cocktails served in a coconut shell rather than in a coupe, so low has his self-worth fallen. For Dr. Sherwood, Donna decides after one day with him, “she herself had waited all her life.” But how does he feel? Ah, if only these women of the 1960s actually had the gumption to just initiate an honest conversation. One night, when a drunken Enid accuses Donna of running after Buzzy, Kenny, Dr. Camargo, and now Dr. Sherwood, the latter overhears, but she takes no action at all. “If he had heard Enid’s vicious accusations, there was no way of knowing what conclusions he had reached. To throw a robe over her nightgown now, to deliberately run out into the corridor and deny the accusations Enid had made, might only give them credence.” Really?

So while he goes off to a conference for five days—and will he ever return for her?—she works in the evenings at Dr. Camargo’s clinic to buff up her conscience and reputation. The days pass, and pass, and no call from Stan, though when she learns that Stan is staying at a nearby hotel, she actually manages to pick up the phone. He’s not in, though, and she’s just hung up when an earthquake strikes! Because there’s nothing as redemptive as a major natural disaster to improve everyone’s character! The hacienda’s idle rich leap into action: Enid opens the house to wounded victims and cares for them to her best ability, Kenny forcibly drags his brother-in-law from under a chandelier that collapses moments later and then labors with Enid to tend the wounded, Buzzy taps his ham-radio hobby to contact San Diego for a pint of “rare” blood, AB positive (though in fact they can receive blood from about 92 percent of the population; it’s AB negative that’s the rarest blood type, carried by only 1 percent of the population). Stan and Donna, of course, work with Dr. Camargo at the clinic, and sad, hysterical, screaming Mrs. Breckenridge is left untended—indeed, she’s told to “mix yourself a drink and relax” while everyone else works tirelessly. When the crisis has passed, Enid and Kenny are plotting to buy a house near the University of California in Berkeley, apparently unaware that the otherwise stellar educational powerhouse has no medical school, and Stan is suggesting that instead of returning to her job in Oregon, Donna might instead consider New York. But that’s it for redemption; Buzzy’s emancipation is anticipated but not witnessed, and we never learn whether the histrionic Mrs. Breckenridge rebounds from her abandonment.

Jane Converse can be a very fine writer (see Surf Safari Nurse, Nurse in Crisis), but most of the time she settles for mediocrity, as she does here, perhaps opting for quantity over quality (indeed, she was a very prolific writer). Now and again we get the slight sparkle of her sharp wit, but Mrs. Breckenridge, the screaming matriarch character—one I usually enjoy and one of Jane’s usual stock in trade—is no Angela Di Marco, the gin-soaked faded movie star with running mascara and bedraggled marabou from Nurse on Trial; rather, here our grande dame just lamely clutches her heart and sways with eyes closed when her brief screaming harangues are not meeting with success. Donna’s concern that Stan isn’t going to come back to Acapulco after hearing Enid’s slander seems completely silly; after becoming acquainted with both women during his stay, if Stan doesn’t realize the relative substance of each, he’s not worth Donna’s heartache. But I am never impressed when the heroine worries excessively about a ridiculous “crisis” yet fails to take any action whatsoever to set the situation to rights. Nor do I enjoy a ham-handed resolution to everyone’s problems, where personal growth seems more contrived than earned. So while I will always regard Jane Converse as a talent, little is in evidence in Acapulco.