Police Nurse

By W. Neubauer, ©1964
Cover illustration by Rudy Nappi

They warned her—you’re asking for trouble! But Nurse Elaine wouldn’t gFive up. As a police nurse it was her job to help people, and Ed Morley, accused of murder, needed her help. His youth, good looks, and wealth had turned the whole town against him. Elaine was sure he wouldn’t get a fair trial unless Lydia Shelton helped. Lydia was the owner of the town’s paper—and Elaine’s rival for reporter Mike Jones’ heart. And Lydia promised to help, but her price was high—Nurse Elaine must leave town and never see Mike Jones again.

GRADE: A-

BEST QUOTES:
“The purple eyes glared. Elaine didn’t die.”

“Girls, you know, have the oddest minds.”

“If it wasn’t for men, us girls wouldn’t have no trouble. I say a girl which marries a guy can’t blame anybody but herself. Don’t ask me to say more.”

“True feminine beauty, Warburton, is compounded of appearance and serenity. Always be serene.”

REVIEW:
Elaine Warburton is both a police sergeant and a prison nurse, which makes her one exceptionally tough cookie. And this proves very helpful to her, for at book’s open, she is embroiled in a political situation that I never quite got a handle on—one of the book’s few weaknesses. As far as I can tell, the hospital director, Dr. O. Walter Thorpe, is tussling for control of the prison hospital with Police Commissioner Hendricks; the mayor, too, is involved in the fray, and the upcoming election is going to decide the fate of the prison ward. Elaine, who is head of the prison ward, is being thrown under the bus as a means of demonstrating that the police are not suited to run a hospital. The problem here is that by pretty much everyone’s standards, Elaine is absolute tops at her job. As various factions push to get her fired, she ups the ante by threatening to quit, and is quickly begged not to leave, which gives her more power than ever. It’s a real pleasure to watch Elaine Warburton successfully wrangle numerous politicos and doctors with a hard-boiled aplomb that would do Sam Spade proud—she even knocks out with a punch to the face someone attempting to abduct her. Doing her one better than even Mr. Spade, however, is the fact that she’s a damned good nurse, knowing even before her surgeons what they will need next.

Complicating the situation is the fact that one of Elaine’s nemeses is Miss Lydia Sheldon, who is publisher of the Pacific City Times, 400 pounds, and angling to steal Elaine’s boyfriend, newspaper reporter Mike Jones. Lydia’s scheme is to set Mike up as editor of the paper if he will marry her. Interestingly, though Mike is, of course, an excellent reporter, he understands that he is not a very good editor, which conflicts with his desire to hold the top spot. In a way, this inner discord helps him choose the right woman in the end (you knew he would), but it adds a bit of unexpected complexity to the story.


Lydia’s father is planning to run for mayor, so it all loops back again to the prison vs. hospital control of Elaine’s ward. I never exactly understood why the prison ward was so important to everyone, and all the machinations of all the characters were hard to follow, but overall this is a very enjoyable book. It’s funny, written in a succinct style, entertaining, energetic, and remarkably appreciative of its heroine in a way few VNRNs are—Elaine is not just talented and smart, but powerful. Elaine’s female coworkers are supportive and strong, which I must confess I didn’t expect from a male writer (curious that William abbreviates to just the initial; usually it’s women writers who do this, depending  on basic sexism that readers will assume the writer is male and correspondingly give the book more weight; was Mr. Neubauer hoping his readers would assume he is female?). I confess a fondness for William Neubauer beyond his apparently egalitarian views as suggested in this book, as her penned the fabulously titled Scandalous Career Girl under the pen name Gordon Semple—“She would do anything for success,” breathes the cover lines. Neubauer wrote two other nurse novels as well as a sluttier nurse book (Playboy Nurse) that I will look forward to after the romp—or alley fistfight—that is Police Nurse

Prison Nurse

By Dr. Louis Berg, ©1934
 
Young Dr. Evan Dale was in prison, paying society’s just price for transgressing its commandments. This courageous outlaw was the man Judy Grayson loved, but when his life hung in the balance, the only person she could turn to was powerful, ambitious Dr. Hartmann, who wanted Judy for himself. Dr. Louis Berg, out of his years of experience as a prison psychiatrist, has written this frank and shocking story of actual life in the twilight world of men stripped of everything but their primitive desires—and of the lovely girl who came to live among them.
 
GRADE: C+
 
BEST QUOTES:
“Between fighting off internes who made passes at her in the ward kitchen, evading the attentions of elderly patients with Romeo complexes and parrying the advances of the attending staff, Judy became a nurse and a woman of the world at one and the same time.”
 
REVIEW:
Judy Grayson’s first job out of nursing school is at the local prison, where she works with Dr. Jack Stewart, the overseeing surgeon, whom she knows from the hospital where she trained. Jack is in love with Judy and wants to marry her, of course, but Judy does not reciprocate Jack’s feelings, even if Jack is a handy guy to have around to take Judy to dinner and out dancing. She is a bit horrified by Jack’s reason for wanting to practice medicine in the prison: “That place is a surgeon’s paradise,” he tells her. “I can get more surgical experience there in one month than I could in six at Medical Center.” She calls this attitude “cold-blooded,” but I find it more practical and, in fact, true; just because you are interested in acquiring experience and seeing unusual cases doesn’t preclude you from providing good healthcare, as Jack is demonstrated to do at the prison on more than one occasion.
 
In fact, the resident who is supposed to be on call to the prison, Dr. Gustav Hartmann, is really the abomination. He shows up drunk at the clinic, never comes when paged, fails to order life-saving medications despite repeated requests, and is skimming pain medication out of the clinic to sell to Red Mike, the inmate with the warden’s ear. (Dr. Hartmann does not, however, demonstrate any designs on Judy, despite the promises made by the back cover blurb, above.)
 
Red Mike and his gang have occupied the dormitory that gives onto the hospital ward and is supposed to be reserved for young patients, to protect them from the “wolves” in the general population before they are transferred to the “farm.” There they sleep between linen sheets, dine on steak and wine, and stroll through the hospital—indeed, even the entire prison—at will. If you can believe it, Judy even encounters Red Mike in the city hospital one day, where he has gone on leave to visit a sick friend. Red Mike is so thoroughly in charge of the prison that he even has a hand in Judy’s hiring, telling the warden, “It ain’t often that we get a nifty piece of fluff like that around here, and I’m sorta sizin’ her up for myself. I need a relief from ‘fags.’ You understand now, don’t you? She’s my stuff.” He pays for his luxurious life by selling drugs and whiskey to inmates, and by skimming off prison supplies for the warden’s own fencing business, so there’s no use complaining about the shocking goings-on to the warden, as Judy quickly finds out!
 
Her ally in all of this is Dr. Evan Dale, who is six months into a three-year sentence for having performed an illegal abortion on a family friend who was going to kill herself if she had to carry the baby to term. So while the book wants us to feel horrified by the concept of abortion, Judy firmly believes that Dr. Dale was justified in performing this one and should not be imprisoned for a “pardonable mistake.” Frequently people who are opposed to something in theory don’t have such a hard time with it when it applies to them personally. Dr. Dale is the “inmate nurse,” and spends his days doing the work that Dr. Hartmann should be doing if he weren’t sleeping off his latest bender. So Dr. Dale spends a lot of time with Judy, and proves his worth early on when she swoons after delivering morphine injections to the prison’s addicts (don’t ask), and he catches her before she drops to the cold, stone floor.
 
The bulk of the book follows the fates of various inmates, Dr. Dale and Judy’s blossoming romance, and Red Mike’s “sizin’ up” of Judy. It ends fairly predictably, though the prison is allowed to plod along in its corrupt and sinful ways at book’s end. I was quite surprised to find the copyright date of 1934 on this book, which makes it one of the oldest VNRNs I’ve met. It certainly is dated, with its cute slang—can, fish, scratch, wise—all hung with apostrophes like ornaments on a Christmas tree. The nicknames are adorable too: Wouldn’t you like to hang out with Cabaret Lou, Broadway Rose, Frankie the Dope, Tough Tony, Three Ball Johnny, and Ice Wagon Reilly? The book is not badly written, but I think most of its excitement is supposed to be in the drug use and homosexuality, which we are supposed to find “shocking” and even, to quote our heroine Judy Grayson, “disgusting.” At this point in time, however, it all seems fairly straightforward, so unless you’re particularly interested at a look at prisons as they were 80 years ago, this book doesn’t have much to offer.
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