Doctor Jane
Book 2 of 6By Adeline McElfresh, ©1955
Lovely, dark-haired Jane Langford had but one dream—to become a doctor. Orphaned, penniless, she fought her way through her internship in a big, tough, city hospital. A brilliant career lay before her. But tall, handsome Lance Hart—ambitious and socially prominent young lawyer—wanted Jane to renounce her dream, to belong to him alone. This is the story of a beautiful young woman forced to choose between a life of luxury and the stern rewards of her dedicated profession—of her daring quest for the truth which led her into a bitter battle against powerful and evil forces.
GRADE:B+
BEST QUOTES:
“That beautiful head of yours is as empty as the gourds I used to use for birds; nests when I was a kid. You could have a husband and a couple of kids—half a dozen, if you wanted them—but here you sit, waiting to go chasing off in an ambulance or to be called to Emergency.”
“Don’t go clinical on me, Dr. Langford. I don’t enjoy kissing a test tube.”
“I don’t see any royal carpet. Are you sure they’re expecting you?”
“I’m sick! Quick, someone, call me a beautiful doctor!”
REVIEW:
I have seldom been more disappointed by a VNRN than I was when I finished Dr. Jane, Interne, the debut novel in this series about Dr. Jane Langford. I am pleased to say that this follow-up novel does much better, and I have to admit that the cliffhanger is an effective way of propelling you on to the next installment in a series.
When we last left Jane, she had agreed to give up her most fervent dream of being a surgeon at City Hospital to join the staff of one of those posh and distasteful convalescent hospitals for rich neurotic patients. It’s smooth Lance Hart, the object of a schoolgirl-like crush, who has persuaded her to do so, as he had been unable to convince her to abandon medicine altogether, and this seems like the next-best he can do. She had also agreed to marry Lance, whom we know is completely wrong for her. As I said, it was quite an upsetting conclusion for our otherwise strong, dedicated, brilliant, and honorable heroine, and I remain upset that Jane tossed her career in surgery away without any apparent regret, particularly after the extreme dedication and hard work toward that goal we witnessed in Dr. Jane, Interne.
As this book begins, Jane is a year into her tenure at the convalescent hospital, and she is still not married to Lance. She’s not happy, with Lance or her career, but neither does she seem sure she wants to give either up. Furthermore, her emotional growth has been nonexistent, and she agrees with Lance that she would want the word obey included in her wedding vows—though she has gotten where she is today precisely because she has refused to obey, fighting the bromides of the medical establishment about what women should be. She decides to take the weakest form of action, a leave of absence, and goes back to the small town where she grew up poor and orphaned and miserable. Dr. Ed Johnson, the Old Doctor, begs her to temporarily step in for him so he can have the first vacation he’s had in decades—three months, the lucky guy. She agrees, and soon she’s making house calls and seeing patients—and Lance, who drops by from the city to sneer at the small town and make Jane swoon in giddy lovesickness that I should have become somewhat inoculated against after the first book, but no such luck: “Don’t let me go, Lance! her heart cried. Don’t ever let me go!” You see what I mean.
Soon, though, she’s entangled in a scandal, after the wife of the son of the owner of the town’s major enterprise, the box factory, runs over a small child in the street. Jane is the only eyewitness, and swears that the driver, Mrs. Lola Morton, never even swerved or braked as she sped through town. Lance turns up, now an attorney hired by Mr. Morton to hush up the incident and keep Lola out of jail, and begs Jane to drop the case. Though weak in the knees from Lance’s kisses, Jane clings with the barest of fingertips to her conviction and refuses to drop her accusations. Soon the town drunk turns up as a “witness,” clearly bribed to swear Lola did indeed try to avoid the child, and Jane’s patients, whose livelihoods depend on corrugated cardboard, stop showing up for their appointments. Jane is convinced that Lance is behind all this, and the pair stops seeing each other.
Next door, however, is Minister Bill Latham, a calm, dependable type whom Jane likes immediately. He is always supportive of her job, never objects when she has to cancel a dinner date, and even runs helpful errands for her. She’s slowly falling for him, but there’s the small matter of that photograph on his desk of a young woman signed, “With all my love …” God forbid she just ask the man about it.
Most of the book is about Jane’s work with the townspeople, and this works out well for us readers. Jane is quietly humorous, serious, and never foolish, outside of her relationship with Lance (though to her credit, her increasing distaste for him speaks of a similarly increasing maturity in terms of her love life). Her growing love for Bill feels neither sophomoric nor frivolous, the way her feeling for Lance does. Though it’s obvious from the word go how Jane’s decision to leave town for good when Dr. Ed returns from vacation is going to play out, the book overall is so gentle and pleasant that I didn’t mind a little simplicity of plot. So while the opening salvo of the Doctor Jane series had me a bit worried, with this next all is forgiven, and I look forward to Calling Dr. Jane—though if the series stretches on for four more books, somehow I expect that Bill is doomed.
Dr. Jane, Interne
Book 1 of 6By Adeline McElfresh, ©1966
Jane Langford was the only woman in the new crop of interns at City Hospital. She soon found that the great Dr. Gillian, Chief of Surgery, hated women doctors and was using all his power to keep her out of the medical profession. The young male interns watched. Loyal Dr. Clem Bartlett gave her encouragement. Dr. Peter Farley pretended to cheer her on, but hoped she would fail so he could have her to himself. Conniving, cynical Dr. Hal Normal was frankly her enemy … But what of Dr. Tom Waycross—handsome, moody, fanatically dedicated—who stirred such dangerous new emotions in her untried heart?
GRADE: B
BEST QUOTES:
“The average woman had neither the physical nor the emotional stamina for the often long, long sessions at the operating table; she wasn’t psychologically constructed to dissect, to slice away at human tissue, to saw through bone, or nibble it away with a rongeur.”
“No woman has any business becoming a doctor. More specifically, I feel that no woman has any business becoming a surgeon. Women have neither the physical nor the emotional stamina that Medicine and Surgery, especially surgery, too often demand, even in training, and because they do not possess that physical and emotional strength and stability, they too often expect the way to be made easier for them because of their sex.”
“Hal isn’t such a bad sort, when you forget he’s a louse.”
“I’m sick! Quick, someone, call me a beautiful doctor!”
“The prescription in a case like yours is one glass of water dashed in the face.”
“Don’t kiss me again, not like that, not now—not when I’ve got to go back and do a skull series.”
REVIEW:
Dr. Jane Langford is just starting her (guess) intern year at City Hospital. She’s wanted to be a surgeon since she was a wee lass, and much is made throughout the book of the hard road she’s had in getting to this point: Her parents died when she was in high school and she’s had to work a number of odd jobs to finance her education. Which means that she’s had exactly zero time to cultivate her personal—or love—life. And which explains her rather schoolgirl crush on Dr. Tom Wayford; she pines to hear his name called over the intercom or catch a glimpse of him up on the pediatrics floor. And when they do finally get together, her joy is boundless: “She was locked in Tom’s embrace, and that was all that mattered—all that would ever trulymatter, she told herself.” It’s a little unsettling to see a woman who has dedicated so much to her career thrust it so quickly to the back seat once she kisses a boy.
But her relationship with Tom is fairly peripheral to the story, and though we are reminded from time to time of her excited infatuation, the bulk of the story is about her travails as she passes through the various specialties in the hospital. Though it must be confessed that her travails are more social—a long-time doctor friend, Peter Farley, is always calling her “honey” and kissing her in public, though she feels nothing more than friendship for him (apparently, just telling him to stop!never crosses her mind), and the gossip mill is whirling with the idea that the chief of surgery, Dr. James Gillian, hates women doctors. (One nice touch is that as the book progresses, the story of why he feels this way gradually becomes increasingly embellished through the grapevine, and we’re never quite sure how much of this growing legend is actually true.) Her medical exploits are always exemplary and without fault: She saves a patient in surgery by administering a precordial thump (the two senior surgeons with her at the table apparently forgetting this potentially life-saving gesture), diagnoses a ruptured brain aneurysm in time to save a rich young man, and takes call for days on end without dropping. I do wish she weren’t such a superwoman; you don’t have to be perfect to be a great doctor, even if you are just a woman.
Her big struggle is to convince Dr. Gillian, when she finally ends up on his service, that women can be not just doctors but surgeons, and very good ones, and that he should accept her as a surgical resident next year. She is slowly succeeding at this endeavor, natch, but in the meantime, long hours at the hospital are cooling her ardor for Tom. Then, lo and behold, she meets wealthy Lance Hart, who is almost the only man in the book neither a doctor nor a patient. He’s a lawyer, and he sweeps her off her feet with flowers and candy, and instantly Jane is “acting like a sixteen-year-old with her first corsage”—meaning exactly as she did toward Tom when he first caught her eye. She’s swooning over Lance in a familiar and sickening way: “Oh, Lance, Lance!her heart sang, over and over again. Kiss me again, Lance darling! Don’t ever let me go!” Jane may be a great doctor, but she is a little kid in affairs of the heart.
The rub is that Lance is not wild about her being a surgeon, and is pressing her to dump surgery and join his mother’s convalescent hospital, where wealthy women go to take a little break. Jane has serious doubts: Could she give up her dream “of helping people who needed her desperately because, too often, there was no other doctor to attend them, or a doctor who cared? Could she be happy working with patients who didn’t need her, who didn’t really need anydoctor?” In the last chapter, Dr. Gillian admits he was wrong about women doctors and offers Jane a spot in surgery under him next year—as we knew all along he would. Tom has dropped out of sight long ago, and now all she needs to do is wangle a ring from Lance to make her life complete—which he is suggesting she will only get if she takes the job at the convalescent home.
To author Adeline McElfresh’s credit, she never pretends that Jane is anything but immature in her feelings toward her men. With Tom, “falling in love with him, or thinking herself in love, had been natural.” And nothing changes when she and Tom drift apart and she tumbles for Lance. “It was easy to forget that she had thought herself just as deeply in love with Tom Waycross as she was, now, with Lance. It has been different between her and Tom. This was real,” McElfresh writes, and we can feel the sarcasm in the words. My beef, though, is that both relationships and Jane’s feelings are handed to us on a platter: We witness few conversations, shared activities, or anything that would show why Jane feels as she does. But perhaps that’s part of the writer’s plan, keeping us minimally invested in these relationships to help us feel that neither man is truly right for Jane.
The ending is the most shocking I’ve encountered in a VNRN, but this is the first in a series of six books chronicling the life and loves of Dr. Jane Langford, so we can only assume that Jane gets herself straightened out in Doctor Jane, the next installment. The writing is steady, if not particularly stylized or amusing or campy, and the story is good enough. Again, it would have made for a more thoughtful book if Jane hadn’t been Superman in a dress, and nothing in the story stands out to make this a great book. But it’s an easy, pleasant read, good enough to make me interested in finding out what happens next.
Calling Dr. Jane
Book 3 of 6By Adeline McElfresh, ©1957
She was in love with her future husband, and Doctor Jane Langford eagerly prepared to join him at his remote African medical mission station. But then Doctor Paul Hamlin arrived to take over Jane’s busy practice. And as they worked side by side, the darkly handsome young doctor made no secret of his growing desire for Jane, his determination to keep her for himself. As Jane’s warm but errant heart responded to Doctor Paul she was faced with the greatest challenge she had ever known … Against the background of the busy, hectic world of modern medicine is told this challenging story of a young, beautiful woman’s search for truth and honesty.
GRADE: A-
BEST QUOTES:
“Being short and dumpy may have its compensations but I don’t know what they are.”
“So long as there is one person in the world, there will be senselessness.”
“There ought to be a law against you.”
REVIEW:
Having spent very little time with Dr. Jane Langford and Bill Latham, her fiancé, in Doctor Jane, I had hoped we might get to see them together in Book 3 of the Doctor Jane series. But no—on page one, Bill has been in Africa doing missionary work for the past three months. Back in Halesville, Indiana, Dr. Paul Hamlin, a refugee from New York, has stepped onto the scene, and is supposed to take over the practice from Jane, oh, about now. But Jane just hasn’t yet bought that plane ticket. And now Bill is getting letters from Jane, and “something was there, between the lines.” Oh, no, Mr. Bill!
Jane starts off by protesting too much—and soon she’s up to her schoolgirl-crush usual, swooning over Paul. And then, before too long, Jane is kissing him and picking out a new house for them to live in after they’re married, the fickle wench. Meanwhile, there are strange goings-on: An unnamed doctor refused to see a woman with appendicitis because she was poor, and the woman nearly died … a strange, overly wired man barges into Jane’s office looking for Paul … later that same night, the local druggist is bashed on the head and killed, but all his money is still in the drawer … someone is prowling around outside Jane’s house at night, looking in the outbuildings …
For the most part, this book is incredibly delightful. The writing is amusing and interesting, and the little, sharp details that Adeline McElfresh tosses in almost off-handedly create a brilliantly realistic picture; at times I wondered if certain passages weren’t an actual diary of someone’s day rather than a fiction story, they felt so true. Most of the time we are out and about with Jane, through the various hospitals and homes and doctor’s offices, meeting a fairly substantial population of named patients and hospital staff. In some books, these hordes of characters can become overwhelming, but here, we get enough story about some patients that we easily remember them when they pop up again later, while others drop quietly away, serving as a quiet demonstration of Jane’s reach throughout the community and its importance to her.
The problem, as has been with the first two Dr. Jane books, is Jane’s utter lack of maturity when it comes to her love life. She falls like a ton of bricks for men we’ve barely met, and even after she’s engaged to Paul, we still don’t get to know him very well. Rather, what sticks is the quick observations of the things Paul doesn’t like, which also happen to be the things Jane loves: “Paul said they were medieval not to have an office nurse, as well as a secretary,” “Paul frankly admitted that he had no idea country doctors got out and around so early,” “he thinks we’re pretty small potatoes,” “no wonder Paul found Halesville dull sometimes.” These little droppings never bode well, and you won’t be surprised to learn that they weren’t wrong here, either.
The mystery of the book is not at all surprising when it eventually unfolds—which it does in two lightning-fast pages at the end, too fast to follow easily—and the red herrings that had been so convincing as they appeared are just as convincingly disposed of. Adeline McElfresh is a top-notch writer and a real joy when she is at the top of her game, as she is here. It’s just Jane’s lack of any sense whatsoever when it comes to a pretty face that misses the mark. I keep hoping that as Jane gains more experience with boys—she’s now had four beaux—she will wise up some, but so far, no such luck. Let’s hope that her next stop, Africa, proves she’s learned a trick or two.
Dr. Jane Comes Home
Book 5 of 6By Adeline McElfresh, ©1959
Woman or doctor? When beautiful, raven-haired Dr. Jane Latham returned to her hometown after her brief, tragic marriage she planned to devote the rest of her life to her profession. She was Jane Latham, doctor, she told herself. She had ceased to be Jane Latham, woman. But when Dave Riley, internationally famous newspaperman, came into her life he had other ideas. He begged Jane to renounce her vows and join him in his own cosmopolitan, easy-going life of fun and travel. Lonely, confused, filled with the ardor of youth, Jane Latham’s effort to deny her woman’s needs now met its sternest test.
GRADE: B
REVIEW:
I’m not sure what book the person who wrote the back-cover blurb (above) read, but it wasn’t the one I did. Maybe all that is forthcoming in the next (and final) book of the series, Dr. Jane’s Choice. In Dr. Jane Comes Home, it seems to be two years since her husband Bill died—done in by a crocodile in Africa—and one since she returned home to Halesville, Indiana, to resume her general practice. Journalist Dave Riley, whom she met in Africa before she left, has come with her, ostensibly to write an article about her but staying on because he loves this small town that much. Oh, and Jane too, but he’s waiting to spill the beans on that little secret, out of respect for her mourning.
Basically this book follows Jane as she manages patients and disasters, sheds an occasional tear over poor dead Bill, and otherwise snoops on minor Halesville characters old and new. A cast of more than 50 named people populate this story, which can be a bit confusing, but otherwise it’s a gentle, meandering story. At the end of the book Dave is in a serious car accident, which of course brings Jane’s latent love for him to the fore with her usual sappy “Oh, Dave, Dave—” which she has sighed again and again for every man who has passed through her heart, much to my increasing exasperation. We’ll see what dilemmas this new relationship brings to her in the final book.
It’s a pleasant story, but it doesn’t have much to offer: No offerings for the Best Quotes section; no real growth in Jane’s character; no interesting dilemmas, career or personal, for her to work out. It’s just more of Jane. Which, again, is nice enough—she’s smart, competent, independent, and strong—but unless you’re already this deep into the series and feel compelled to see it through, this book doesn’t really have much to offer.
Dr. Jane’s Mission
Book 4 of 6By Adeline McElfresh, ©1958
Cover illustration by Bob Abbett
Dr. Jane Langford went to Africa eager to join the man she loved and help him in his dedicated work among the natives. The tiny medical mission seemed secure and peaceful, but as the days passed, Jane learned that the strange and evil powers of the witch doctors had been turned against the hospital and all in it—powers that Jane began to suspect might be stronger than modern medical knowledge!
GRADE: B+
BEST QUOTES:
“Sidonie turned from the window to her patient, saw that the brown-lashed eyelids were just a fraction raised. A most unromantic fraction, but then, when is coming out of anesthesia romantic? Not even the class’s glamour girl could look sexy while full of cyclopropane.”
REVIEW:
When last we saw Dr. Jane, she had thrown off the shackles of a corrupt, smooth doctor and fled Indiana to be with her then-fiancé, Rev. Bill Latham, who had set off on a mission into the deepest heart of Africa. Now, as the book opens, the time has flown, and she and Bill have been married for seven blissful months. Jane has, of course, thrown herself into her work with complete abandon, though she’s not entirely won over by Africa. “She simply did not understand these people,” she is thinking to herself in the first chapter, upset that an obstetrics patient’s great-grandmother has attempted to administer a witch doctor’s potion after a difficult delivery. “Their social and spiritual mores, their bewitchery— She shook her head.”
That said, though, author Adeline McElfresh does a more than respectable job, particularly considering the times, of imbuing her African characters with dignity and personality, to a degree that I’ve not seen before in a VNRN. The African countryside is likewise presented with a painterly lushness that makes you feel that you are there—and more importantly that Jane is there, which again differs from other African VNRNs (see Jungle Nurse, Congo Nurse, and Bush Hospital) in which the heroine might be working in Cincinnati, for all the background we see.
Since this is supposed to be a romance novel and our heroine is married, we can all but see the bull’s eye on poor Bill’s back. Nonetheless, I was thrilled at the spectacular way he departed the scene; it was so fantastic that although poor Jane is all but prostrate with grief, it’s hard to refrain from giggling. But even with Jane back on the market, she is just not very good at love—and this has been a major flaw with the Doctor Jane series. In fact, the next gentleman she tumbles for, Tom Radcliff, basically kisses her out of the blue one day, and then then next thing we know, she’s thinking, “She did love him—of course she did!” and planning her trousseau.
But she’s about as lackluster about Tom (her second boyfriend of this name, in case you’re keeping track at home; see Dr. Jane, Interne) as we are—in fact, we’ve barely met the man—which again is not surprising for the Doctor Jane series. For with Jane, she’s either swooning like a 12-year-old at a Justin Bieber concert or approaching her beloved as she would a nail trim. Fortunately, romance is not the center of this book, and the vast majority of the time we are wandering around Africa with Jane, looking on as she cares for her patients with the unusual diseases or settings as we would expect to find in rural Africa of almost 60 years ago.
As the pages at the back of the book grown increasingly few and the book shows little intention of going anywhere, Jane suddenly, quite literally in mid-sentence, decides she’s through with Africa and can’t marry Tom. It’s just two pages for her to break his heart and book her passage on a boat down the river, and now we are free to pick up the fourth installment, appropriately titled Dr. Jane Comes Home. One of her patients, a reporter named Mike Riley, has preceded her to Halesville, so we shall not at all be surprised to find her taking up with him in that tome. But as these books pile up, I begin to lose heart that Jane will ever find a relationship that shows any of the intelligence and maturity that she displays in every other aspect except her love life. But overall, her competence, aplomb, and adventures make this book worth reading on its own.
Dr. Jane’s Choice
Book 6 of 6By Adeline McElfresh, ©1961
Cover illustration by John W. Scott
To hundreds of thousands of readers, Doctor Jane Langford (later briefly married to the Reverend Bill Latham) is the most beloved heroine in all medical romance literature. Sternly incorruptible, but often hesitant as she chooses what is right and what is desirable—a gifted surgeon and general practitioner, but a woman first and foremost—Doctor Jane strikes an answering chord in every reader’s heart, for Jane is more than a dedicated professional, she is a woman needing masculine strength and love. In this present novel, Jane is faced with the most important choice of her life—how she reaches that choice makes for one of Adeline McElfresh’s most engrossing novels.
GRADE: B+
BEST QUOTES:
“Don’t you talk her right arm off, Henry. She might need it in surgery in the morning.”
“She wanted to share his life, divide herself between being Mrs. Dave Riley and Dr. Jane Latham.”
REVIEW:
When we last left Dr. Jane Langford Latham, she was mourning her husband, Bill, killed in Africa by a crocodile, and I am not kidding. She thinks she’s falling for reporter Dave Riley, whom she first met in Africa and who followed her home to Halesville, Indiana, so as to write and wait for her to come around. But Jane isn’t sure, because she really, really loved Bill. So she takes a job at the nearby City Hospital—where she did her residency, by the way (see Dr. Jane, Interne)—as director of outpatient medicine.
When we last left Dr. Jane Langford Latham, she was mourning her husband, Bill, killed in Africa by a crocodile, and I am not kidding. She thinks she’s falling for reporter Dave Riley, whom she first met in Africa and who followed her home to Halesville, Indiana, so as to write and wait for her to come around. But Jane isn’t sure, because she really, really loved Bill. So she takes a job at the nearby City Hospital—where she did her residency, by the way (see Dr. Jane, Interne)—as director of outpatient medicine.
In the course of her work, she discovers that a local woman who lives in the seedy part of town performs abortions, and goes on the warpath, declaring that she will “not stop until that woman is found, arrested, jailed.” Perhaps not coincidentally, a young pregnant woman from that same neighborhood is found drowned, and now the book turns into a mystery story. Whodunnit? Well, this local reporter, Charley Lewis, takes up the case, and the book is divided between following Jane and her patients, and Charley in his attempts to track down the girl’s killer.
I could go into more detail about the case and Jane’s success as a doctor despite her gender, but it’s not really important, and if you didn’t figure out what Jane’s Choice is going to be at the beginning of the last book, Dr.Jane Comes Home, then I won’t spoil it for you. The central question for the reviewer and the reader is, should you read these six books? The problem is that they are neither good enough to make the answer a clear yes, nor bad enough to make it an emphatic no. I always appreciate the quiet competence of the writing, which is occasionally humorous, and here we find a little inside joke: “If you two will excuse me, I’ve got Elizabeth Wesley’s new book. About doctors,” says the wife of Dr. Warren, her former attending in Dr. Jane, Interne. (Elizabeth Wesley is, of course, a pen name of Adeline McElfresh’s!)
The books are interesting, but they don’t have a lot of zest or camp to give them sparkle. I enjoyed Jane, but six books about her is a bit much, considering that the format or story of every book was essentially the same: All about Jane and her daily life, and then at the end, a big decision, usually more or less out of the blue, about some man, the “romance” being almost irrelevant to the rest of the book. The mystery that pervades the plot of this book is not a first for the Dr. Jane series—see Calling Dr. Jane—but it’s a bit of a distraction from what is supposed to be the central point, i.e. Jane. So if you don’t have a better book to reach for, go ahead and make the investment in Dr. Jane, but don’t expect her to leap off the page and dazzle you. She’s much too sedate for that.
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